|
|
|
|
|
|
Theodore Gericault
carabinier contre un tertre
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
etudes de militaires
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
portrait de carabinier
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
portrait de carabinier
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
cuirassier blesse, quittant le feu
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
horace vernet, la barriere de clichy
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
femme nue
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
thomas, cenone refuse de secourir paris
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
vue de tivoli
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
leda et le cygne
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
nymphe et satyre
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
nymphe et satyre
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
couple antique
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
l'etreinte
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
le cortege de silene
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
le cortege de silenne
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
le cortege de silene
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
sacrifice antique
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
la chasse au cerf
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Theodore Gericault
feuille d'etudes
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| Theodore Gericault
|
French Romantic Painter, 1791-1824
Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent.
The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.
|
